Valeria Tatera // beacon of hope

Through her minimalist approach to the genocide of the indigenous peoples in the US, Valeria Tatera shines a bright light at the underbelly of the beast who has tried to remain in its own shadow. She displays a blunt message, but it is that, which makes her a brave beacon of hope for the indigenous peoples of America. When McLuhan says “...minority groups can no longer be contained-- ignored,” this is what he means. As an indigenous woman, Tatera tackles major systems of governance and control, exposing and displaying their atrocities.

Some might say that her choice of medium is attached to minimalism, but I would actually pair it with something that is more complex. This piece is hidden in plain sight. Its message is coded with a language that not many might understand. Because of this, it becomes a link between several generations, not only in the past, since you’re linking to your history and culture by creating the art in the first place, but also in the future, leaving your art to be seen by the generations that outlive you. Tatera is a link between past, present, and future. She has written herself down in history, but she has also propelled her people forward towards liberation.

I think Tatera deserves all of the recognition possible. This is brave, kind, and just overall a beautiful display of modern art. The explosion certainly gave us an ability to perceive this kind of art, whether we can truly comprehend it is another question. However, that doesn’t necessarily have to be a bad thing. If we can’t fully comprehend it because we lack certain contexts, it should inspire you to learn, to sit through and embrace the discomfort.

Comments

gearINmovement // gearsINmovoment // gearsINmotion

I really wanted to explore the moving parts and changes of media in the last few decades. Because of that, I decided to create a soundtrack for this movie on Ableton , I used a variety of sounds from various libraries in my hard drive to create what is essentially a 1-minute noise track infused with media liquid. My Ableton Channel Rack for this track For that though, I had to really delve into the idea of movement, honing on forward movement as one of my primary themes. I wanted to support some of the ideas that McLuhan puts forth in the book. Here, his seemingly Marxist-attached ideas flourish by asserting that our use of media has been far too focused on the weathering idea of labor exploitation. By introducing the soundtrack as a continuous movement of the background, I was able to create a contrast between humankind and our peculiar attachment to the past. Nostalgia is a blinding beauty. Our ability to remember, and in some cases now, "relive", moments i

UPLOAD

UPLOAD For my last project, I decided to focus on sound and visuals. I went around downloading various videos from the internet that I thought would make sense when connected together. First, there's a JPEGMafia clip, arguably my favorite artist, and one of the most successful underground artists in the last decade. I really resonate with a lot of the messages that JPEGMafia is putting forth in his music. I wanted this entire project to feel very glitchy, and I wanted the viewer to feel somewhat trapped in this never-ending distortion. I used Ableton again for all of the beats that I created. For these beats, I made sure to keep it at a pretty cohesive tempo. The global village has become an endless world of everything. In a way, things fight to not be recognized. In this new world, we have become completely attached to each other. McLuhan says that "All media are extensions of some human faculty- psychic or psychical." I agree with this statement. Our med

A brief introduction - Edwin Martinez (e4tmore)

On page 24, Marshall McLuhan says “We have become irrevocably involved with, and responsible for, each other.” I find this to be a very important quote because it really encompasses a lot of my core feelings for art. For as long as I can remember, I have had the incessant need to constantly keep creating. Whether it’s short videos on my parents phone when I was an 8 year old or an entire mixtape that I made this past summer as a way to cope with the internal and external forces that were working upon me, I’ve always had an obligation to publish my ideas as a sort of personal archive. My Bandcamp Recently, I have also developed the belief that art is inherently political. It helps societies watch their own; It helps people express themselves and create languages, through which they can communicate their grievances and pains. Because of this, I feel I have an immense social responsibility to art. I must continue to provide spaces where people can be introspective, whil

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