Skip to main content

peering into white cubes

     

Window 


        My parents left Mexico when they were about 19-20 years old. They left their families and had me at the young age of 21. 20 years later, I left my home to go to college; I left my family too. I wonder what they thought when they walked around their new neighborhood, did they feel scared, did they feel angry? 

As I walked around the Appleton houses shooting, I thought about the way I felt. I felt scared. I felt watched, as if at any moment an owner would yell at me to get off their property. Regardless, I embraced the discomfort. I found myself looking for ways to intrude. If you were a homeowner, and saw me in front of your house, mysteriously shooting multiple angles, would YOU feel scared? Why? 

It might seem a bit insensitive and weird to go around shooting houses you've never been in, but I found this to be more therapeutic than anything. It felt good to explore. It felt good to intrude. I found myself thinking a bit deeper into what I was doing while shooting these houses. To me, I was undergoing one of the most important parts of decolonization. I was taking back what had been taken from our people, our sense of safety, our sense of peace. 

“History as she is harped. Rite words rote order” said McLuhan, and while I’m still partly confused by what he meant. I think the re-ordering and re-telling of history by pushing the boundaries of what really happened is extremely important. The pivotal part is that we must keep pushing it forward, all while accepting that this new era is ever-changing, constantly becoming something else, something you might never ever comprehend.

Comments

  1. Bowen ZNovember 22, 2021 at 8:45 PM

    I LIKE YOUR IDEA OF TAKING PICTURES OF THE HOUSING, THEY ARE ACTUALLY THE MOST PORTION OF ART ELEMENTS IN TOWN!

    ReplyDelete

Post a Comment

Popular posts from this blog

gearINmovement // gearsINmovoment // gearsINmotion

    I really wanted to explore the moving parts and changes of media in the last few decades. Because of that, I decided to create a soundtrack for this movie on Ableton , I used a variety of sounds from various libraries in my hard drive to create what is essentially a 1-minute noise track infused with media liquid.   My Ableton Channel Rack for this track      For that though, I had to really delve into the idea of movement, honing on forward movement as one of my primary themes. I wanted to support some of the ideas that McLuhan puts forth in the book. Here, his seemingly Marxist-attached ideas flourish by asserting that our use of media has been far too focused on the weathering idea of labor exploitation.       By introducing the soundtrack as a continuous movement of the background, I was able to create a contrast between humankind and our peculiar attachment to the past. Nostalgia is a blinding beauty. Our ability to remember...
3 comments
Read more

UPLOAD

      UPLOAD      For my last project, I decided to focus on sound and visuals. I went around downloading various videos from the internet that I thought would make sense when connected together. First, there's a JPEGMafia clip, arguably my favorite artist, and one of the most successful underground artists in the last decade. I really resonate with a lot of the messages that JPEGMafia is putting forth in his music. I wanted this entire project to feel very glitchy, and I wanted the viewer to feel somewhat trapped in this never-ending distortion.      I used Ableton again for all of the beats that I created. For these beats, I made sure to keep it at a pretty cohesive tempo. The global village has become an endless world of everything. In a way, things fight to not be recognized. In this new world, we have become completely attached to each other. McLuhan says that "All media are extensions of some human faculty- psychic or psy...
3 comments
Read more

A brief introduction - Edwin Martinez (e4tmore)

       On page 24, Marshall McLuhan says “We have become irrevocably involved with, and responsible for, each other.” I find this to be a very important quote because it really encompasses a lot of my core feelings for art. For as long as I can remember, I have had the incessant need to constantly keep creating. Whether it’s short videos on my parents phone when I was an 8 year old or an entire mixtape that I made this past summer as a way to cope with the internal and external forces that were working upon me, I’ve always had an obligation to publish my ideas as a sort of personal archive.  My Bandcamp            Recently, I have also developed the belief that art is inherently political. It helps societies watch their own; It helps people express themselves and create languages, through which they can communicate their grievances and pains. Because of this, I feel I have an immense social responsibility to art. I must continu...
2 comments
Read more